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These are the videos the Minnesota Music History Channel has produced on some of  the clubs and venues of the lost Twin Cities nightlife

(Biography and Photos Courtesy TwinCitiesMusicHighlights.Net)

White Structure

Danceland

BIG REGGIE’S DANCELAND

The dates are vague here, but my best guess is that in late 1960, Ray re-opened the ballroom, with teen-age dances on Tuesday nights.  Friday nights were for “old-time music” and Saturday nights were Dixieland.

In August I lost $4,000; the only time I made any money was Tuesday nights.  I made a hundred dollars on Tuesdays with the kids.  So I got smart in August and I went every night with teen-age, and I wound up the year not losing anything.  The last dance I had that year was Conway Twitty and I put 1,800 kids in there at a buck a head.  No one had seen that kind of action since Lawrence Welk played the ballroom.  The old man couldn’t believe it.  The next year [1961] I got smarter and booked Mike Waggoner and the Bops and I kept it open until ’67.

When his father died on October 19, 1961, Ray took over his job as manager of the Park, and also leased the dormant ballroom as a sideline.  He dubbed the ballroom “Big Reggie’s Danceland” – his nickname Big Reggie was named for Jackie Gleason’s Reginald Van Gleason character.

The Underbeats remembered that Big Reggie always wanted to sing “Cottonfields” with them on stage at the beginning of the night– he even made a record of the song, backed with “Tutti Frutti.”  The record goes for big bucks today!

On the topic of music, Reggie’s son Joe says:

He was a rocker. He was most into Jerry Lee Lewis, Ray Charles, etc.  He even loved that Meatloaf song about being together forever “will ya love me forever” and the Joe Walsh song about “everybody’s so different, I haven’t changed.” He loved all that stuff much more than anything else.

 

 

In 1964, the Star’s Bob Murphy noted that Reggie could be spotted at the Kashmiri Lounge at the Ambassador Motor Inn in St. Louis Park, “bending his arm to do a duet or two with Ruth Sneen, the pianist there.  The two achieve a remarkable blend of voices.  I didn’t even know he sang.”

Big Reggie promoted other shows, notably the Beatles’ appearance at Met Stadium in 1965. 

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Courtesy https://twincitiesmusichighlights.net/venues/danceland/

The Labor Temple

David Anthony was a major music promoter and agent in the ’60s.  The owners of the Labor Temple wouldn’t rent to a long-haired hippie freak like Charlie, but they would do business with David, so David hired Community News to do the light shows and handle the tickets and posters.  In 1969 he started booking national psychedelic acts, some of which were not all that well known yet and couldn’t fill one of the bigger halls.  Anthony was easy to find at shows, as he was the only one in a three-piece suit!

 

David Anthony with Jethro Tull – Photo Copyright Mike Barich, St. Paul

 

The very first Labor Temple Concerts in 1969 were only affordable because David Anthony was able to get the groups in to town on Sundays after playing weekends in Chicago at Russo’s Kinetic Playground.  On the poster below, notice the dates of the weekend performers and compare them to the Sunday night show at the Labor Temple:

Kinetic Playground Poster courtesy GoJohnnygo.com


Grateful Dead:
Jan 31-Feb 1 Russo’s Kinetic Playground
Feb 2 Labor Temple

Jethro Tull:
Feb 7-8: Russo’s Kinetic Playground
Feb 9: Labor Temple

Spirit:
Feb 19: Russo’s Kinetic Playground
Feb 16: Labor Temple

Mother Earth:
Feb 22: Russo’s Kinetic Playground
Feb 16: Labor Temple

 

Anthony said he paid between $2,000 and $5,000 for an act, and priced tickets accordingly.  Unfortunately, all of Anthony’s archives were destroyed – imagine what he might have had!

 

Labor Temple shows were held almost every Sunday night during its run, except during the hot summers).  It was stressed in most reviews that this was the first venue in Minneapolis where there were regularly-scheduled rock concerts – something that had been sorely needed.  Many compared the venue to San Francisco’s Fillmore West in that regard.

Courtesy https://twincitiesmusichighlights.net/venues/labor-temple/

 Someplace Else

At first the club was only open to those 21 and over.  After all the promises, Flaherty had only been able to get a license to serve 3.2 beer, and it took a lot of haggling to get that.  Finally the club opened on March 22, 1967.  Entertainment during this adults-only period included:

  • The MOB, a 7-piece group from Chicago that dressed like gangsters,  March 22 – 28, 1967.  The group was assembled and led by Jimmy Ford, musical director of Dick Clark road shows.

  • The Hollywood Argyles, March 29 – April 11, 1967.

  • The Everly Brothers, April 3 – 9, 1967.  (two 3 hour shows nightly).  Annette says that Phil and Don couldn’t have been nicer, and hung out with the customers between shows.

Finally the Flahertys admitted defeat.  They abandoned the restaurant and made their sophisticated adult night club into a teen club, open to kids ages 16 to 20 only.  It was a hit!  Teens poured into town, and all of a sudden Robbinsdale was happening!  Annette says that she’s sure kids were filching money from their parents – they’d pay with silver certificates or rare coins from coin collections.

 

On May 10 and 11, 1968, Police from Robbinsdale, Crystal, and the Hennepin County Sheriff’s Department broke up a possible gang fight. Five people were arrested, four of whom were under 18. Police broke up a brawl on Friday the 10th. On Saturday a fight broke out outside with 150 people gathered. A floorman needed first aid. The Saturday incident started at 41st Ave. N and west Broadway. Police moved the crowd back until it was near the Red Barn, four or five blocks south.

 

THE END

Ever hear how one guy spoils it for everyone?  On Friday, August 16, 1968, one guy did.  An unnamed 17-year-old got thrown out for being drunk.  He drew a pistol from a small holster attached to his belt and shouted “I’m going to shoot I really am,” according to the Police Chief. He threatened 6-8 people before firing several shots in the parking lot across the street.  He hit 18-year-old Gary Hendrickson in the chest, critically wounding him with a bullet that lodged in his lung.  The shooter was disarmed by bystanders before police came. He was arrested and arraigned on August 19. The Robbinsdale Police Chief said he had a rap sheet of at least 20 charges starting from when he was six years old, many for assault.

Courtesy https://twincitiesmusichighlights.net/venues/labor-temple/

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 Mr. Lucky's

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Mr. Lucky’s opened in December 1962 as the only local night club devoted exclusively to teenagers. Mr. Lucky himself was apparently a guy with a top hat, tails, a cane, and some nifty boots.

One of – if not the – first bands to play at Mr. Lucky’s was Mike Waggoner and the Bops.  Terry and the Pirates played on Sundays. 

Mr. Lucky’s dodged a bullet in 1964 when there was pressure not to renew its license.  The problem apparently started in the early hours of February 9, when 11 police cars called in to quell a disturbance. Over 200 kids were milling around after midnight as two cops were tagging a car with a noisy muffler.

The motorist’s companion “got a little mouthy,” according to police, and because of so many persons on the sidewalk, help was called for.  “Mr. Lucky’s has become an attractive nuisance as far as we’re concerned,” [Ray Williamson, head of the Minneapolis Police Crime Prevention Bureau] said.  “Some of my officers are outrightly indignant about the environment there.  There is no question that there’s drinking going on in the place.  The kids bring in their own bottles and spike the soft drinks.”

The club was owned by Rostar, Inc., and John R. Stephens was a co-owner.  Stephens insisted that they were doing the community a service by keeping kids off the streets.  The club was managed by Brian K. Lawson, a student at the U of M.

 It eventually turned into The New City Opera House featured below

 

Courtesy https://twincitiesmusichighlights.net/venues/mr-luckys/

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New City Opera House

NEW CITY OPERA HOUSE

Mr. Lucky’s was renamed the New City Opera House by ace guitarist Zippy Caplan, who was working there between gigs, in about 1967. Zippy says the name just came to him – there was no contest as previously reported.  At that time the manager was Gary Jorgensen.

1967

December 9, 1967:  Shadows of Knight, NCOH. With the Electras.

December 30, 1967:  The Litter, T.C. Atlantic, C.A. Quintet, Happy Dayz, and the Grasshoppers.

December 31, 1967:  The Litter, Grasshoppers, Nickel Revolution, Love Express, Xpressmen

1968

In 1968 New City was advertised as “The Upper Midwest’s only Psychedelic House of Rock!” and “Minnesota’s Own Electric Circus.” January 12, 1968:  Lemon Pipers, NCOH-February 29, 1968:  South 40, a successor to the Castaways-March 1, 1968:  The Litter, Split Level, the Del Counts, Noah’s Ark-May 3, 1968:  The Castaways, Jokers Wild, Canoise-May 4, 1968:  The Litter, The Paisleys, Susie Q and the Originals

Minneapolis Tribune, May 3, 1968

CREAM, 

On May 5, 1968,  Cream underwhelmed the audience at the New City Opera House, and vice versa.  

New Year’s Eve 1968:Stillroven,White Lightning, South 40, Canoise,Del Counts,Flight – soon to become Pepper Fog and The Youngsters

 

1969

February 9, 1969:  12 bands, including White Lightning and Orpheus-February 14 – 15, 1969:  Friend and Lover (probably NCOH)-March 7-8, 1969:  Sweetwater, NCOH.  Also local acts Blackwood Apology and Zarathustra.

September 28, 1969:  C.A. Quintet. October 16, 1969:  Santana, opened by the Paisleys and Triad.  In a review of a return appearance several years later, Marshall Fine remarked that there were 500 people in the audience and the “fledgling band pounded out some of the fiercest, rawest Latino rock I had heard.”   (Another report was that there were only 75 people there.)  Fine noted that the 1973 performance at the Met Sports Center was much different, with smoothed out edges and added depth reflecting Carlos Santana’s spiritual journey.

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PACIFIC GAS & ELECTRIC,  October 31, 1969, with the Grasshoppers and Pride and Joy.

NEW COLONY SIX, November 29, 1969, opened by Lemon Pepper

BLUE CHEER, December 8, 1969,  opened by White Lightning and Happy Dayz.

ZEPHYR, December 12 – 13, 1969: 

COLD BLOOD January 30 – 31, 1970:  Cold Blood was a group from San Fransisco featuring vocalist Lydia Pense.

SPIRIT AND ZEPHYR March 8, 1970. Nova Lights and a new stage.

November 14, 1970:  An article in the Star noted the lack of business at all of the teen dance halls in the ‘Cities, attributed to the rise of festivals and concerts.  At Magoo’s/New City Opera House, only 100 kids were dancing in a space that could hold 1,500.  Manager Gary Jorgenson said that if business doesn’t pick up, the hall would close.  In January 1971 the Insider reported that owner Bob Roosen turned the NCOH over to the Mystics to run, but that didn’t work out either.Apparently Bobby Jackson, who rented the Magoo’s side (see below) from November 1970 to April 1971, also ran the NCOH.  Both got trashed in the April 1971 riot.

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Courtesy https://twincitiesmusichighlights.net/venues/mr-luckys/

The 1960's Teen Clubs

Venues

Marian Ballroom, Danceland, Mr Lucky's ,Prom Ballroom, Bel Rae Ballroom, Medina Entertainment Center Plamore Ballroom 

Casino Royale, The Prison , Magoos

The Barn,  New City Opera House

Prom Center

Dania Hall

The building’s ballroom and its proximity to the U of M made it a logical venue for rock concerts.  Only the roadies who had to haul the equipment up the stairs questioned the perfection of the venue.  Dania Hall became the first of a progression of venues for late ’60s and late ’70s rock that continued with the Labor Temple and then the Depot.

In about in 1966, Gary Dale had a light show company called Light Fantastic, and every other week his show appeared with the Paisleys.  Other names associated with Gary Dale were Dick Tatge, and Lee Fletcher.

On alternate weeks, Charlie Campbell’s Community News light show presented its own bands.

In June 1968, Gary and the Paisleys went to Canada, and, with Gary’s permission, Steve Barich took over the Light Fantastic name and did light shows and bookings.

Paisleys band member Peter Larsen told minniepaulmusic.com about the early days at Dania Hall:

The hall had a history to it. There were names inscribed all over the back of the stage that go back to the beginning of the theater. You felt a presence, even with no people there. There was a warmth… a character to the hall, the smell of the wood… all of the timber and resonating of the wood lent itself to the performance. These were the physical things and then there was the invisible that went along with this… a spirituality. It was built as a place for people to gather, to share and to communicate. If you were going to perform, that was the place to perform. It was a different awakening or happening.

The ambience and the sound contributed to this incredible atmosphere and it resonated with the music and the people. It was an open theater, one of the only kind in the city. It was a unique building. I just felt at home there with what we were doing back then.

Because of the incense and the beads, it was like going to church. It was akin to a religious experience.

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Courtesy https://twincitiesmusichighlights.net/venues/dania-hall/

George's In The Park,

In December 1966 the restaurant reopened as George’s in the Park.

Will Jones commented on  a unique feature of the  place; there was both a room marked Ladies and one for Women.  Schaumberg explained that he had to add more facilities because of overcrowding.  The difference was that the Ladies room had an attendant and the other didn’t.

The place might have gotten a little rough; people report that management saw it necessary to post a sign on the door saying “No Buck Knives.”

There is one sketch of the building on file that indicates, and it has been confirmed, that there was a sauna in the basement!

In 1967 the off-sale liquor store was removed in order to expand the club.

Vicki and the Tornadoes opened the club and performed there six nights a week until the spring of 1968.

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The Alps

The A-frame building had three levels and was frequented by stewardesses, pilots, and other airline folks due to its proximity to the airport.

In July 1966, Will Jones reported that when it opened there was a Dixieland band and the plan was to have some Dixie, some rock, some “banjo singalong.” After a few weeks, though, It became all rock. Jones’ description of the place was pretty visceral:

It’s easy to understand why, after a recent look-in on a Saturday night. the place was throbbing with an immense, almost frightening, youthful vitality, aided and abetted by an acoustical quirk that in most places would be considered a problem but in this hall has almost become a virtue as it magnifies the din to unbelievable proportions.

At the time the house band was Danny’s Reasons, and Jones had (I think) good things to say about him:

Stevens is not a mere performer, but a writhing star among writhing stars. I’d recommend a visit before somebody grabs him and signs him for a lifetime of beach-party movies.

The Gay 90's

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The club opened on October 27, 1948.  At first it was called the Gay ’90s Theater Cafe and Cocktail Lounge. A description said it was patterned after the Gay ’90s cafes in New York and San Francisco.  There were 19 murals and 35 smaller panels painted with comedy scenes by Bob Sykes and Henry Haderseck.

 

The initial policy was to bring in vaudeville acts, starting with the Gay Blades Trio, singer Sophie Parker, and pianist/singer Corrine Dawn.  Lenny Colyer was the M.C.  Programs would emphasize turn-of-the-century songs, “now in full flush of a revival.” 

 

In November 1948, the club had a show-stopper of a front window:  a huge picture frame, inspired by the art gallery frames of the 1890s when gilt and gold were popular.  The picture frame front window, which took months of work, started with drawings of frames at the Minneapolis Institute of Art.  A plaster cast of a giant frame was made, and then a wax cast was made of the plaster cast.  Aluminum was melted over the wax cast, and then five coats of lacquer were painted over the frame.  Painting of the frame took 500 man-hours.

Also in November 1948, it was reported that the oyster bar was one of the most popular features of the club, and the chef was studying old cookbooks for dishes that were popular during the turn of the century.  (Minneapolis Star, November 29, 1948)

The placemat below calls the Gay ’90s the “newest and gayest fun spot,” so I’ll put this in late 1948/early 1949.

It still operates today . Here is the whole history of the building  Quite the story 

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Courtesy https://twincitiesmusichighlights.net/tc-music-venues/

CLUB CARNIVAL

In 1948 The Happy Hour burned and was rebuilt. Cedric Adams was the first to announce that the club would have a new name – “The Carnival” – and a new policy of big name bands with big price tags,

which show you that the refurbished Sixteenth street place is out after the carriage trade.  The new interior will amaze you.  The decorations will be elegant but subdued.  The seating capacity will be shoved up to over 1,000.  Tentative date for opening is April 1.  It later became the home of Country Music in the 60's  called The Flame 

Cascade Nine

After two years of redesigning the Gopher restaurant, Jimmy Demos reopened it as the Cascade 9 on November 24, 1964. Where magazine provides an extensive background into the beginnings of the Cascade 9.

One hardly expects to open a restaurant door on Hennepin Ave. and find the re-creation of a Colorado silver mine.  But that’s precisely what lies inside the heavy wooden door of the Cascade 9, an intriguing and very atmospheric restaurant.   It was a music venue for quite some time .Harry Blons’ Band opened an engagement in March 1969.  Harry Blons continued his engagement, playing Dixieland until about January.

On February 1, 1970,  rock ‘n’ roll took over, with the XL-5.The XL-5 finished their year-long run in March 1971.

The Del Counts were the house band from 1971 to 1972. In February 1973, owner LaRae Agar plead guilty to failure to withhold Social Security taxes for her employees at the Cascade 9 and another business and it reopened as Zacharias on November 23, 1975,

Poodle

The Poodle started out in 1960  with a French theme, and its entertainment was strictly jazz.

It was a popular rock venue downtown in the late 60's and early 70's 

The Anthony Hotel, including the Poodle, burned down on December 20, 1973.  Subzero temperatures turned the six-story building into one big icicle.  The fire took three hours to put out.  75 people were registered in the hotel, and although the Fire Chief said “We expect to find some bodies,” there were no deaths.

The loss was estimated at $750,000

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Courtesy https://twincitiesmusichighlights.net/tc-music-venues/

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The Hippogriff

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Attached to the 450 Building in Shelard Park (on the walkway between the 400 Building and the Tower) was the Hippogriff Restaurant, “A Very Important Bar Restaurant.” A Hippogriff is a griffin-headed winged horse.

Burton Grossman of the Grossman Chevrolet family was the owner of the Hippogriff.

On August 18, 1974, comedian David Frye was booked as the club’s first big act. Duke Ellington, January 26, 1975.  The band was led by Duke’s son Mercer Ellington. David Brenner, February 23, 1975. George Gobel, March 16, 1975. Oliver, with Timepiece, April 21, 1975.Steve Martin, with the band Timepiece, June 29, 1975. and returned  on  September 28, 1975.

Stan Kenton and His Artistry in Rhythm Orchestra, February 13, 1977. Henny Youngman, November 13, 1977, George Shearing, April 9, 1978 and Henny Youngman, with the XL 5, October 8 and 9, 1978. The Hippogriff closed without notice on July 31, 1980, leaving some with reservations for wedding receptions out in the cold, reported the Minneapolis Tribune on September 4, 1980.  Burt Grossman was said to be “on vacation” an unavailable for comment.

The Chalet 

A June 1963 ad called it “The Northwest’s newest and most distinctive supper club.” 

At first the entertainment centered around shows in the Alpine Room.  These included professional, national acts such as the following, who appeared in 1963: Henny Youngman Somethin’ Smith and the Redheads

Orville Brooks and His Ink Spots – June 6-23. and The Flamingos, direct from Las Vegas

From 1974 to 2000 the building was the home of Nicklow’s Greek restaurant.

La Cantina

This restaurant and nightclub was located at 7800 Computer Ave. (behind Howard Johnson’s and the Camelot) in Bloomington.  The building was in the northeast corner of Highways 100 and 494 and was built in 1961.

La Cantina was owned by Pat Moore and managed by Ray “Reggie” Colihan.  It operated from about July 1972 to February 1976.

Bands included Rise & Shine, Open Road, Free & Easy, and Danny’s Reasons.

In July 1974 the Bloomington City Council refused to renew its liquor license “because Council members felt too large a portion of its total sales was in liquor.”  The restaurant sued to regain the license.

Colihan resigned in October 1974.

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Courtesy https://twincitiesmusichighlights.net/tc-music-venues/

DOC HOLLIDAY’S

Doc Holliday’s appeared in about June 1976.

Jon Bream described it as a “two-story, ski-lodge-like bar.

Some of the national acts that appeared at Doc Holliday’s included:

  • Dr. Hook, with Willie and the Bumblebees, November 16 and 17, 1976

  • Larry Raspberry and the High Steppers, October 14, 1977 and October 27-29, 1977

  • Larry Gatlin, December 9, 1977

  • Canned Heat, June 20, 1978

  • Asleep at the Wheel, June 29, 1978

  • Jimmy Witherspoon, August 11-12, 1978

  • Johnny Paycheck, January 20, 1979

  • Billie Jo Spears, January 26, 1979

  • Bellamy Brothers, March 30, 1979

  • Asleep at the Wheel, May 15, 1979

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Tragedy struck on May 5, 1979, when Barbara Smith was fatally shot at the club.  In 2021,  Barbara’s friend Paul Eggert, wrote to say that he was going to go with her that night but he could not get off of work. Barbara went with her brother Tom instead. Barbara was a 1975 grad of Harding High School – her birth date was November 23, 1957, and she was one of eight children. Paul wrote, “She was in my opinion, stunning. I don’t want her to be just a footnote and forgotten.”  Barbara’s niece Rachel Grove contributed additions and corrections to this account on Facebook. According to memories on Facebook, Daisy Dillman had just finished “Southern Man” and was taking a break. Larry Lyle Marquardt of Minneapolis and David Kraml of Bloomington had been thrown out for being drunk, and came back with a .308 caliber hunting rifle. Marquardt shot two rounds into the second floor of the building. Barbara was wounded on her ankle, and when she leaned over to look, and was shot again in the neck. Another male customer was seriously wounded as well. The club held 800 people and was packed.  “A group of bikers had the shooter on the ground and were kicking the shit out of him, says one witness.  “Then the law started to defend on the place.  I had never seen so many state troopers and county sheriffs cars in my life.”

Marquardt plead guilty and was sentenced to eight years in Stillwater.  The club reopened on May 14, 1979, but the City Council was on its case for fire code violations including overcrowding.

Then before reopening there was a fire and it was closed for good.

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Courtesy https://twincitiesmusichighlights.net/tc-music-venues/

The Cabooze

 

The Cabooze is located at 917 Cedar Ave. on the West Bank.

What a place  and still hopping  today

 

John Hanson talks about the mural he painted for the Joint and the Cabooze:

On this day, 42 years ago – August 10th, 1974, I completed my first job for the soon-to-be open Cabooze Bar…their inaugural week…in July while sitting in The Joint Beer Garden, I was enjoying a frosty Grain Belt Premium with my friend Dennis Brown…I remarked to Charlie “Woodchuck” Campbell (Booking Manager for the new club) that the bare walls begged for “something”…”come up with something” he said…so I did…resulting in this…assisted in painting by Brian Ringham (shown here painting my shirt)…the opening act that week was a rag-tag traveling troupe of marauding Vaudevillians and hooligan Hippies known as “The Friends Roadshow”…some 2-dozen rather mad artists who regaled us with a blend of mirth, magic & mayhem…”a little song, a little dance, a little seltzer down the pants!”…beginning then, what has gone on to become a true Twin Cities legend (and The World!), Lo, these many years…with no end in sight…thus began also, the jumpstart I needed for my brand-new one-man-shop graphic design biz:  “Mill City Miracle Graphics”…(If it’s A Good Graphic, It’s A MIRACLE!)…having done hundreds of pieces for both The Cabooze & The Joint over the decades, I have nothing but gratitude for Jimmy Brown, Charlie Campbell, Rollie Olson, Taco and all the Staffers and friends there that have allowed me to shine and enjoy perhaps my most Leviticously Deuteronomous good times on Planet Earth…thanks, kids…  but sadly, one day this was painted over …replaced by someone with characters from the comic strip “Peanuts”…Charlie Brown, Lucy, Linus, Snoopy…alas now, lost to the pages of History…except here…”mighty oaks from little acorns grow”…

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Courtesy https://twincitiesmusichighlights.net/tc-music-venues/

The Union Bar 

 

From 1979-1989 this was the home of many national groups performing in town This “Workman’s saloon and hash house,” as described by the Star’s Don Morrison, was located at 507 East Hennepin, and went back to the 1920s.  In 1937 it played a role in Kid Cann’s alibi during his trial for the murder of Walter Liggett.  Stay tuned for that story!

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Courtesy https://twincitiesmusichighlights.net/tc-music-venues/

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Met Center

 

Here is a video listing all of the concerts performed there over the years with a live music bed of a Grateful Dead concert performed there in 1989

 

The facility seated 15,000. It was home to the North Stars Hockey team from 1967-1993 and ABA’s Minnesota Muskies. The Met Center was considered to be one of the finest arenas in the NHL for many years, both for its sight lines and its ice surface. Among NHL players, the Met was known for fast ice, the best lighting, great locker rooms and training facilities.

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Bill Masterson the only player in NHL history to die as a direct result of injuries suffered during a game, the result of massive head injuries suffered following a hit during a January 13, 1968, contest against the Oakland Seals.

Wikipedia gives this account:

He carried the puck up the ice at full speed, passing it off as two Seals defenders, Larry Cahan and Ron Harris, converged on him. Masterton was knocked backward in the resulting collision and landed on his head. Like most players of his era, he wasn’t wearing a helmet. Referee Wally Harris compared the hit to an explosion, adding “he was checked hard, but I’m sure it wasn’t a dirty play.” The force of the impact caused Masterton to bleed from his nose, ears and mouth. The impact of the hit caused him to lose consciousness before he hit the ice; according to some accounts, he briefly came to and muttered, “Never again, never again” before passing back out. He received treatment on the ice and in the dressing room before being rushed to Fairview-Southdale Hospital.  Some 30 hours after his fall, on January 15, Masterton died without ever regaining consciousness.

Masterton’s death sparked a long-running debate in hockey about the merits of wearing helmets, as few NHL players did so in that time. Despite several efforts to mandate their use, it was 11 years before the NHL made them compulsory for all new players beginning in the 1979–80 season. In his memory, the NHL created the Bill Masterton Memorial Trophy which it has awarded since 1968 to a player who demonstrates perseverance and dedication to hockey.

 

FACEBOOK FACTS:

  • The huge graduating classes of Bloomington high schools had their commencement ceremonies in the building.

  • The teams stayed at the Marriott Hotel. 

 

 

END OF THE MET

The last North Stars game was played in 1993.  The team moved to Dallas to become the Dallas Stars.  The scoreboard was crated up and moved to Dallas with the team.  The seats, ice assembly, sideboards, and perhaps the doors were moved to the Sleepy Eye Ice Arena, which was built in 1994.

The building was demolished on December 13, 1994, in a series of three controlled implosions of the building and using the usual heavy equipment.

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 Courtesy https://twincitiesmusichighlights.net/tc-music-venues/

 

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Carlton Celebrity Room
This venue was active between 1979 and 1987. There were some fabulous acts that performed thereand it was like a Las Vegas Showroom right here in Minnesota

The video highlights  many of the great National talent who performed there over the years.

The Carlton Celebrity Dinner Theater was located at 8350 24th Ave. So.  It was built in 1961 as a venue for the National Bowling League, which was only active from 1961-1962.  It was built with a terraced spectators’ section.  Our Twin City Skippers competed in the League, before it went bankrupt in 1962.  (Ken Anderson) 

The building sat vacant for almost 18 years until it was finally repurposed by Carl G. Berndt, who had operated two other Carlton Inns in Wisconsin.  He was the co-owner of this third one, possibly with Kenneth Olson, who was from a furniture store background and was in the real estate business.

The wedge-shaped auditorium held about 2,200 people:  1,270 in the terraced dinner level and 920 in the balcony.  In addition to the main room, there was the Backstage Room, which featured up-and-coming acts, many of which went on to become stars.  It has also been described as a disco and semi-private club.  There was also the All-Star Lounge.

In 1983 the Carlton built a three-story addition to create a new Las Vegas Room and Marquee Room to facilitate banquets and meetings.

From 1983 to 1986, the Carlton was also the location of the Minnesota Music Awards. 

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Courtesy https://twincitiesmusichighlights.net/tc-music-venues/

Swing City 

Swing City was located at 1682 Rice Street, across the street from incorporated St. Paul.

 News reports from November 1937 name Harry Quatman as the proprietor of the City Limits Tavern. Perhaps as a result of Quatman’s trouble serving beer to minors, the bar may have changed hands and names.  The 1940 Census lists Quatman’s occupation as the owner of a beer place, but we don’t know if it’s this one. A note in the Minneapolis Star said that the University crowd were flocking to Swing City in October 1937.

Jan Pongalos was named as the proprietor of Swing City when the place was raided in November 1942.

FRANK AND MARIE’S

Quatman lost his liquor license, just at the same time that Patrin’s uncle, Frank Fietek, was discharged from the Army.  Fietek was 38 when he registered for service in WW II, which was clearly stated on his form, but he only served six months and was discharged on March 31, 1943.  Bob speculated that Frank was found to be too old. Frank received a certificate to start a business, and he took it to City Hall with the intent to own a tavern. He was given Quatman’s license and took over Swing City, renaming it Frank and Marie’s Tavern, after himself and his sister. Quatman had been given only three days to vacate, and evidence found in the garage indicated that it had been used as a brothel. Years later they discovered a “14 Board,” the most popular gambling game in the Twin Cities. Bob says that one band that played at Frank and Marie’s was Bob Smith and His Hawaiian Steel Band.

The mobsters were ticked off. Although they were hanging out at Happy Hollow across Rice Street, they wanted control of Frank & Marie’s as well, and were incensed when Frank turned down $2,000 in cash that his bagmen had offered him for the place. They offered “insurance,” but Frank declined. The bagmen tried to get to Frank through Marie by giving her an expensive alligator bag, but Frank still said no. Frank – whether on purpose or unwittingly – even riled the mob when his ad in a Hudson’s map was bigger than that of the mob-run McCarthy’s in St. Louis Park.

One night at closing in late November 1943, the bagmen kidnapped Frank, took him out to Rice Street and McCarron’s Blvd., broke both his legs, and left him on the road to be run over. Fortunately the speed limit was only 35, carefully watched because of wartime restrictions, and he was found by the Sheriff and taken to the hospital. But he could never walk again, and was taken to his brother Harry’s house at 120 Carroll Ave. The tavern was immediately renamed the Lakeview – Frank didn’t want Marie to be in peril. But in November 1945 the basement of the tavern was torched, causing $2,500 in damage. Frank closed it for good but still wouldn’t sell. Finally, on March 4, 1946, the bagmen went to where Frank was staying, dragged him to the basement, stood him on a woodpile, put a necktie around his neck (which he never wore), attached it to a wire, and kicked the wood away, virtually lynching him. Bob said the coroner never came, but the Minneapolis Star reported that the Ramsey County coroner was investigating Fietek’s death.  Bob also said that no autopsy was done.  In any case, it was deemed a suicide. Bob said that two weeks after Frank was murdered the bar was miraculously reopened – as Swing City.

 


Courtesy -https://twincitiesmusichighlights.net/tc-music-venues/

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